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<channel>
	<title>Snowing Portfolio</title>
	<link>https://snow8485.cargo.site</link>
	<description>Snowing Portfolio</description>
	<pubDate>Fri, 30 Jan 2026 07:05:42 +0000</pubDate>
	<generator>https://snow8485.cargo.site</generator>
	<language>en</language>
	
		
	<item>
		<title>🌊(A poem about tide breath)</title>
				
		<link>https://snow8485.cargo.site/A-poem-about-tide-breath</link>

		<pubDate>Fri, 30 Jan 2026 07:05:30 +0000</pubDate>

		<dc:creator>Snowing Portfolio</dc:creator>

		<guid isPermaLink="true">https://snow8485.cargo.site/A-poem-about-tide-breath</guid>

		<description>
	《a poem about tide breath（观潮）》2025
InstallationMaterial: &#38;nbsp;Light, air, glass, electricity, code, algorithm and live tide data

ask (sun, moon, earth){
how(water){
rise;
}

}







	
	The work explores the possibilities of machine perception through the act of observing the tide. Presented as a fragment of executable code, the text simultaneously evokes two ways in which humanity has understood tides throughout history: as a physical phenomenon governed by the gravitational relationship between the sun, the moon, and the earth, and as a philosophical question posed to the cosmo through poetic language.
The installation retrieves real-time tidal data from a monitoring station in Venice, where water level is measured by floating sensor and uploaded online every five minutes. An AI system uses these measurements to adjust the pulsing rhythm of the neon word *rise*. Unlike human perception, which is sustained continuous through visual feedback, the tides become invisible to the machine during the five minute gaps of data updates. During these intervals, the system must rely on previous observations and mathematical prediction to construct a speculative model of the water's unseen movement until the next measurement arrives.
By foregrounding the temporal gaps within data acquisition, the work examines how machine perception and cognition are formed through discontinuous encounters with reality. The glowing plasma inside the neon echoes the celestial matter that gives rise to the tides in reality, while its breathing pulse embodies the the imaginary tide of machine, allowing humans to observe.
该作品通过“观潮”这一人性行为，探索了机器感知的各种可能。作品文字以可执行代码的形式呈现，同时指向了人类从古到今理解潮汐的两种方式：科学界受太阳、月球与地球之间引力关系支配的物理现象，与诗文中向自然界提出的哲学问题。
该装置实时获取威尼斯监测站的潮汐数据——当地的浮动传感器每五分钟记录一次水位——并由人工智能根据这些数据调整单词“rise”（上涨）的闪烁节奏。与人类连续的视觉反馈不同，在两次数据读取的间隙，海洋对人工智能而言处于暂时不可见的状态。在这些间隔期内，系统必须依赖先前的观测结果与数学预测，在下一个数据点到来之前，构想出水体那不可见的运动过程。通过利用数据更新的时间滞后性，该作品探讨了机器如何从非连续性接触中感知现实。霓虹灯管内发光的等离子体呼应了引发潮汐的天体物质，而其呼吸般的脉动并不直接表现海洋本身的运动；相反，它体现了人工智能对那片只能间歇性观测到的遥远潮汐所进行的推断性、想象性的重构，也允许人类观测到这片机器想象中的潮汐。
	
&#60;img width="4864" height="3648" width_o="4864" height_o="3648" data-src="https://freight.cargo.site/t/original/i/bdacf9ae43ae680e6a4d67a49e977d3496686a28d11026763bbb15c0228ca262/DSC06646.JPG" data-mid="244180375" border="0"  src="https://freight.cargo.site/w/1000/i/bdacf9ae43ae680e6a4d67a49e977d3496686a28d11026763bbb15c0228ca262/DSC06646.JPG" /&#62;&#60;img width="4864" height="3648" width_o="4864" height_o="3648" data-src="https://freight.cargo.site/t/original/i/a36e7002080ac77b7b9efa7250d488ab4463043fd1934cc8880e22d8fbb9ac1a/DSC06618.JPG" data-mid="244180380" border="0"  src="https://freight.cargo.site/w/1000/i/a36e7002080ac77b7b9efa7250d488ab4463043fd1934cc8880e22d8fbb9ac1a/DSC06618.JPG" /&#62;

Czok Foundation Gallery, Venice, 2026

&#60;img width="4864" height="3648" width_o="4864" height_o="3648" data-src="https://freight.cargo.site/t/original/i/775e543c5f9a654658e9fce29481f9638dbdd178848af7b35c3d27a448ef7460/DSC06557.JPG" data-mid="244180381" border="0"  src="https://freight.cargo.site/w/1000/i/775e543c5f9a654658e9fce29481f9638dbdd178848af7b35c3d27a448ef7460/DSC06557.JPG" /&#62;&#60;img width="4864" height="3648" width_o="4864" height_o="3648" data-src="https://freight.cargo.site/t/original/i/f528f2d5d7623c878b1bb9fd21b9c4b3d43a5374d99f84936a50d03d07241173/DSC06619.JPG" data-mid="244180373" border="0"  src="https://freight.cargo.site/w/1000/i/f528f2d5d7623c878b1bb9fd21b9c4b3d43a5374d99f84936a50d03d07241173/DSC06619.JPG" /&#62;&#60;img width="4864" height="3648" width_o="4864" height_o="3648" data-src="https://freight.cargo.site/t/original/i/b8e1996f5c020b16394fcf7b237908af7de134876572796e84039617c8e61563/DSC06659.JPG" data-mid="244180376" border="0"  src="https://freight.cargo.site/w/1000/i/b8e1996f5c020b16394fcf7b237908af7de134876572796e84039617c8e61563/DSC06659.JPG" /&#62;









</description>
		
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	<item>
		<title>if(vacancy){open;}</title>
				
		<link>https://snow8485.cargo.site/if-vacancy-open</link>

		<pubDate>Fri, 30 Jan 2026 07:05:34 +0000</pubDate>

		<dc:creator>Snowing Portfolio</dc:creator>

		<guid isPermaLink="true">https://snow8485.cargo.site/if-vacancy-open</guid>

		<description>
	《if(vacancy){open;}》Installation



	
	
if(vacancy){open;} is a site-responsive neon intervention installed in the window of an artist studio within an academic building at the School of the Art Institute of Chicago. Borrowing the syntax of computer programming, the neon text reads if(vacancy){open;}, a statement that grants access under the condition of spatial availability.The intervention emerged in response to the institution’s decision to shut down overnight studio access due to budget constraints, reducing resources once promised to its students. Displayed after the building’s official closing hours and publicly visible to the main street of downtown Chicago, the intervention transformed a studio window into a public screen with message. As immigration enforcement generates widespread uncertainty and fear across the United States, the work reflects broader conditions of restricted mobility, precarity, and exclusion.

	
 
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/84e83ec1d2dd928a25341d3255883dc523ef692c8fc3a0f5674e71442591a0ea/Snow_Chen_ifvacancyopen-_Mixed_7020_2025.jpg" data-mid="250834672" border="0"  src="https://freight.cargo.site/w/1000/i/84e83ec1d2dd928a25341d3255883dc523ef692c8fc3a0f5674e71442591a0ea/Snow_Chen_ifvacancyopen-_Mixed_7020_2025.jpg" /&#62;
&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/1be6820daa3072954ce98fd39ee7e51f2f9129e5840b96bf1083f293260e011e/DSC00232.jpg" data-mid="249718297" border="0"  src="https://freight.cargo.site/w/1000/i/1be6820daa3072954ce98fd39ee7e51f2f9129e5840b96bf1083f293260e011e/DSC00232.jpg" /&#62;



	
	Lakeview Building(Historic Preservation Department), across from the Art Institute of Chicago, 2025
	

&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/d777ea5dc3295f4141ec80f88605468e689c6ae64aa8faab1063cfabf2a73139/DSC00187.jpg" data-mid="249718299" border="0"  src="https://freight.cargo.site/w/1000/i/d777ea5dc3295f4141ec80f88605468e689c6ae64aa8faab1063cfabf2a73139/DSC00187.jpg" /&#62;&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/d8c5ea28c63e5cd66e3e2cbed80c049d43b808c998d3f8300df661ecaea97f6b/DSC00178.jpg" data-mid="249718298" border="0"  src="https://freight.cargo.site/w/1000/i/d8c5ea28c63e5cd66e3e2cbed80c049d43b808c998d3f8300df661ecaea97f6b/DSC00178.jpg" /&#62;&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/04fc598b8a5d795f7edb7cfb57b60f7096229945810f068c5388bb91a10bc8b3/DSC00609_2.jpg" data-mid="249718302" border="0"  src="https://freight.cargo.site/w/1000/i/04fc598b8a5d795f7edb7cfb57b60f7096229945810f068c5388bb91a10bc8b3/DSC00609_2.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>☯️(What is the world trying to say?)</title>
				
		<link>https://snow8485.cargo.site/What-is-the-world-trying-to-say</link>

		<pubDate>Fri, 30 Jan 2026 07:05:37 +0000</pubDate>

		<dc:creator>Snowing Portfolio</dc:creator>

		<guid isPermaLink="true">https://snow8485.cargo.site/What-is-the-world-trying-to-say</guid>

		<description>
	《☯️(What is the world trying to say?)》



	
	
	2025(ongoing)Dimension: 50*50Material: glass, acrylic, aron gas, electricity, light, 
algorithmic system, real-time weather and Earth data
	




	
	

	
This mixed-media installation presents the Early Heaven Bagua (先天八卦) of Taoism, an ancient binary system that conceives balance through the interplay of yin and yang. Real-time data from the planet’s natural systems regulate the flickering rhythms of each trigram, mirroring the shifting harmony of the world. The artist attempts to interplay ancient and modern binary logics to communicate with the non-negotiable. What, at this moment, is the world trying to say?
	




    
Hook Space, Chicago, 2025

&#60;img width="7008" height="3944" width_o="7008" height_o="3944" data-src="https://freight.cargo.site/t/original/i/64618c55986f705062eab7207fbef52041cc80a7249d2f089471e22ff9a4d70c/DSC01014.JPG" data-mid="244180484" border="0"  src="https://freight.cargo.site/w/1000/i/64618c55986f705062eab7207fbef52041cc80a7249d2f089471e22ff9a4d70c/DSC01014.JPG" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Cloud-as-Ouroboros(2025)</title>
				
		<link>https://snow8485.cargo.site/Cloud-as-Ouroboros-2025</link>

		<pubDate>Fri, 30 Jan 2026 07:05:41 +0000</pubDate>

		<dc:creator>Snowing Portfolio</dc:creator>

		<guid isPermaLink="true">https://snow8485.cargo.site/Cloud-as-Ouroboros-2025</guid>

		<description>
	Nov.1, 2025 to Mar.31, 2026



	Dual-curated virtual exhibition as a pavilion of the 7th edition of the Wrong Biennale, the world's largest and longest-running online biennale. 
Interactive web gallery attached below(https://infinitescroll.cloud).




⬇️Click and Scroll in the Virtual Gallery⬇️
</description>
		
	</item>
		
		
	<item>
		<title>🌍(Earth) </title>
				
		<link>https://snow8485.cargo.site/Earth</link>

		<pubDate>Fri, 30 Jan 2026 07:05:28 +0000</pubDate>

		<dc:creator>Snowing Portfolio</dc:creator>

		<guid isPermaLink="true">https://snow8485.cargo.site/Earth</guid>

		<description>
	《🌍》December 2025
Durational Performance of 2.5 hours





Museum of Contemporary Art Chicago, 2025

&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/4d0590ca90c6784f6cb01a5d778a79a27e690dcf46e82bf95bc79cf58f116ca1/DSC06294.JPG" data-mid="244180319" border="0"  src="https://freight.cargo.site/w/1000/i/4d0590ca90c6784f6cb01a5d778a79a27e690dcf46e82bf95bc79cf58f116ca1/DSC06294.JPG" /&#62;&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/af2a0ebaac83c3e94a9c4f60a0544fdfa522cbd5f12beba21dc105253809b744/DSC06214.JPG" data-mid="244180324" border="0"  src="https://freight.cargo.site/w/1000/i/af2a0ebaac83c3e94a9c4f60a0544fdfa522cbd5f12beba21dc105253809b744/DSC06214.JPG" /&#62;&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/5d9afac99ba6aac47cf2fbdc3994b8c6025ac382d8950b46c2d97d6cb52da115/DSC06143.JPG" data-mid="244180322" border="0"  src="https://freight.cargo.site/w/1000/i/5d9afac99ba6aac47cf2fbdc3994b8c6025ac382d8950b46c2d97d6cb52da115/DSC06143.JPG" /&#62;&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/a2811b9539deeb9edb746cc386f0dd0d7f83121a47426e6b796d54bfa5b277e8/DSC06131.JPG" data-mid="244180320" border="0"  src="https://freight.cargo.site/w/1000/i/a2811b9539deeb9edb746cc386f0dd0d7f83121a47426e6b796d54bfa5b277e8/DSC06131.JPG" /&#62;&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/735c0774955fca67fc2058e622d53f6dd823b60ccdccb5fec007672739b71bce/DSC06248.JPG" data-mid="244180333" border="0"  src="https://freight.cargo.site/w/1000/i/735c0774955fca67fc2058e622d53f6dd823b60ccdccb5fec007672739b71bce/DSC06248.JPG" /&#62;






</description>
		
	</item>
		
		
	<item>
		<title>The Sheep of Rrmea(尔玛之羊)</title>
				
		<link>https://snow8485.cargo.site/The-Sheep-of-Rrmea</link>

		<pubDate>Fri, 30 Jan 2026 07:05:42 +0000</pubDate>

		<dc:creator>Snowing Portfolio</dc:creator>

		<guid isPermaLink="true">https://snow8485.cargo.site/The-Sheep-of-Rrmea</guid>

		<description>



	&#38;lt;&#38;lt; The Sheep of Rrmea(尔玛之羊)&#38;gt;&#38;gt;Year: 2024Material: Light, Language, Animation, Sheep skin drum
	
Rrmea (尔玛) is a writing system created by younger generations of the Qiang people, an ethnic minority in China, to record a culture that remained entirely oral for thousands of years. The Sheep of Rrmea is a multimedia installation inspired by Qiang ritual traditions and historical cosmology. Combining light, language, animation, and a sheep skin drum, the work traces the continual transformation of cultural memory across materials, generations, and technologies.
At the center of the installation is an original poem imagining a sheep consuming sacred texts before its skin is transformed into a ritual drum. The spoken poem is translated into waves of light, visualizing sound as a living archive that moves between voice, body, and image. Each transformation gives the story a new form while carrying traces of those that came before.
The work reflects on how cultural memory continues to take shape through acts of transmission, transformation, and reinterpretation. Oral traditions evolve into written language, ritual gestures resonate through digital media, and ancestral knowledge continues to unfold through contemporary artistic practice. The work follows the continual transformation of oral knowledge into language, sound into light, ritual into moving image, and ancestral memory into contemporary artistic practice. Through these evolving forms, culture continues to live, grow, and take on new meanings.“Rrmea”（尔玛）是中国少数民族——羌族年轻一代创造的一种书写系统，旨在记录一种延续数千年的纯口述文化。《尔玛之羊》（The Sheep of Rrmea）是一件受羌族仪式传统与历史宇宙观启发的装置艺术作品。该作品融合了光影、语言、动画及羊皮鼓等元素，追溯了文化记忆在不同物质载体、世代更迭与技术演变中的持续转化。装置的核心是一首原创诗作，描绘了一只羊在被制成仪式用鼓之前吞食神圣经文的想象场景。诗歌的朗诵声被转化为光波，将声音具象化为一种在人声、身体与影像之间流动的鲜活档案。每一次转化都赋予了故事新的形态，同时也承载着过往形态的印记。该作品探讨了文化记忆如何通过传承、转化与重新解读的过程不断成形：口述传统演变为书面语言，仪式动作在数字媒体中产生共鸣，祖先的智慧则在当代艺术实践中持续延展。作品呈现了从口述知识到语言、从声音到光影、从仪式到动态影像、再从祖先记忆到当代艺术实践的持续转化过程。正是通过这些不断演变的形态，文化得以延续生命、生长并焕发出新的意义。


Light visualizing the drumming sound waves of a poem in Rrmea:“Before you lies a sheep,Feasting on our sacred scriptures.It swallows each and every text,as the words weave across its skin.When that skin is stretched into a drum,Played by the hands of our Shibi(wizard),Our culture’s stories,Will be told in the echoes, on and on."

这是一头羊，
它正在咀嚼。
每当它吃掉文字，
文字就在它的皮肤上流淌。
待它的皮肤变成鼓面，
被释比所敲响，
羌族的记录，
就会在鼓声中歌唱。

&#60;img width="3456" height="1938" width_o="3456" height_o="1938" data-src="https://freight.cargo.site/t/original/i/4780575133d76ff60cd12a2769137927f47ddddb2f8c9a6ca489c25df7dd7db4/Screenshot-2025-10-28-at-1.04.05AM.png" data-mid="244180577" border="0"  src="https://freight.cargo.site/w/1000/i/4780575133d76ff60cd12a2769137927f47ddddb2f8c9a6ca489c25df7dd7db4/Screenshot-2025-10-28-at-1.04.05AM.png" /&#62;&#60;img width="3456" height="1938" width_o="3456" height_o="1938" data-src="https://freight.cargo.site/t/original/i/3eb7ba51ff1e4965288ad04910a4f49ee5ac8728a009d54a6ae1f5b26ac5b31f/Screenshot-2025-10-28-at-1.04.10AM.png" data-mid="244180576" border="0"  src="https://freight.cargo.site/w/1000/i/3eb7ba51ff1e4965288ad04910a4f49ee5ac8728a009d54a6ae1f5b26ac5b31f/Screenshot-2025-10-28-at-1.04.10AM.png" /&#62;&#60;img width="3456" height="1938" width_o="3456" height_o="1938" data-src="https://freight.cargo.site/t/original/i/8a8edec145659435e1c84d1b0739471b4f3a452a5be8ea5977a53de20441d3af/Screenshot-2025-10-28-at-1.03.58AM.png" data-mid="244180578" border="0"  src="https://freight.cargo.site/w/1000/i/8a8edec145659435e1c84d1b0739471b4f3a452a5be8ea5977a53de20441d3af/Screenshot-2025-10-28-at-1.03.58AM.png" /&#62;












</description>
		
	</item>
		
		
	<item>
		<title>The Electronic Relic</title>
				
		<link>https://snow8485.cargo.site/The-Electronic-Relic</link>

		<pubDate>Fri, 30 Jan 2026 07:05:40 +0000</pubDate>

		<dc:creator>Snowing Portfolio</dc:creator>

		<guid isPermaLink="true">https://snow8485.cargo.site/The-Electronic-Relic</guid>

		<description>
	

	
&#38;nbsp;《The Electronic Relic》2025Dimension: Variable (depending on venue)

Medium: Single-channel Sound, Moving Images
	




	

	Set in a speculative future where only electronic life forms remain, the piece takes the form of a scientific archive session conducted by an AI institution known as the Museum of Humanic Technology. Through a documentary-style narration combining pseudo-archaeology and ritualized technoscience, the video simulates the future discovery of a tubular artifact once used by the Carbon civilization and the interpretation of the process of molecular bombardment as an ancient ceremony of purification and transcendence.&#38;nbsp;Bombardment is interpreted as a ritual through which &#38;nbsp;bodies becomes luminous through continuous transformation of matter, energy, and memory..
	


&#60;img width="3456" height="1938" width_o="3456" height_o="1938" data-src="https://freight.cargo.site/t/original/i/cde5aa7d5e5f0c729e577489271ea3538c201374dd99c73e9b02b6262da2439c/image.png" data-mid="244180535" border="0"  src="https://freight.cargo.site/w/1000/i/cde5aa7d5e5f0c729e577489271ea3538c201374dd99c73e9b02b6262da2439c/image.png" /&#62;&#60;img width="3456" height="1938" width_o="3456" height_o="1938" data-src="https://freight.cargo.site/t/original/i/5631aaaad21297c8ca65ca0918857ea5b01bc424d0308e507767fdc9b4b22123/Screenshot-2025-11-12-at-9.07.39PM.png" data-mid="244180536" border="0"  src="https://freight.cargo.site/w/1000/i/5631aaaad21297c8ca65ca0918857ea5b01bc424d0308e507767fdc9b4b22123/Screenshot-2025-11-12-at-9.07.39PM.png" /&#62;&#38;nbsp;Screened at 
Voltaje Art and Technology Salon, Bogotá, Colombia, 2025



</description>
		
	</item>
		
		
	<item>
		<title>Vision(2024)</title>
				
		<link>https://snow8485.cargo.site/Vision-2024</link>

		<pubDate>Fri, 30 Jan 2026 07:05:39 +0000</pubDate>

		<dc:creator>Snowing Portfolio</dc:creator>

		<guid isPermaLink="true">https://snow8485.cargo.site/Vision-2024</guid>

		<description>
	
Vision(2024)

Art on the Mart
Nov.22-Dec.30 2024
Merchandise the Mart, Chicago


	The Chicago River Walk attracts countless tourists and social media enthusiasts on a daily basis. The artist seeks to communicate social media’s pervasive influence on the public through an eye on the building.

This piece of work, projected on a 2.5 acres canvas, highlights how social media platforms actively monitor and manipulate user engagement. This dynamic evokes a sense of monitor and control, aiming to inspire viewers on considering their interactions with social media and the underlying mechanisms that drive their behavior in the world with digital connections.&#38;nbsp; 





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	<item>
		<title>🔥(火)  </title>
				
		<link>https://snow8485.cargo.site/38159117</link>

		<pubDate>Fri, 30 Jan 2026 07:05:36 +0000</pubDate>

		<dc:creator>Snowing Portfolio</dc:creator>

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		<description>
	Title: 《🔥(火)》
Year: 2025
Dimension: 25*25
Materials: glass, neon gas, metal, electricity, light

	
This mixed-media sculpture incorporates a sigil of fire based on oracle bone script (甲骨文), the earliest form of Chinese writing, an ancient hieroglyphic system used to record divinations and ritual practices. Drawing inspiration from western cyber witchcraft which uses emojis, the modern pictographic symbols as a material to cast spells, and Fulu (符箓), the rectangular Taoist charms used to interact with supernatural forces, the piece investigates how contemporary digital culture reanimates esoteric traditions through technology and spirituality.





&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9b4c581e54365ab7829182c3720c0a98c4e939034d4d3f6710b6a39988f368a1/2.png" data-mid="244180475" border="0"  src="https://freight.cargo.site/w/1000/i/9b4c581e54365ab7829182c3720c0a98c4e939034d4d3f6710b6a39988f368a1/2.png" /&#62;Hook Space, 2025⬇️ Click to light up ⬇️



    



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Norris Dittmar Memorial Gallery, 2025</description>
		
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	<item>
		<title>Decomposition(2023)</title>
				
		<link>https://snow8485.cargo.site/Decomposition-2023</link>

		<pubDate>Fri, 30 Jan 2026 07:05:41 +0000</pubDate>

		<dc:creator>Snowing Portfolio</dc:creator>

		<guid isPermaLink="true">https://snow8485.cargo.site/Decomposition-2023</guid>

		<description>

	
	Inspired by “dust to dust, ash to ash”, this realtime audio visual system delves into the intricate and mesmerizing exploration of the human body's transformation from flesh to a skeleton, capturing the essence of the decomposition process, providing an artistic and abstract explanation.
Performed December 2023 @Club Elevator(Shanghai) and April 2024 @Club OKOK(Shanghai) with Lexie Zhu, September 2024 solo @Nonation Art Lab(Chicago)
	










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