https://snow8485.cargo.site Snowing Portfolio Fri, 02 Oct 2026 03:50:56 +0000 https://snow8485.cargo.site en https://snow8485.cargo.site/A-poem-about-tide-breath Fri, 30 Jan 2026 07:05:30 +0000 Snowing Portfolio https://snow8485.cargo.site/A-poem-about-tide-breath 《a poem about tide breath（观潮）》2025 InstallationMaterial: &nbsp;Light, air, glass, electricity, code, algorithm and live tide data ask (sun, moon, earth){ how(water){ rise; } } The work explores the possibilities of machine perception through the act of observing the tide. Presented as a linear line of code, the text evokes two different ways humanity has interpreted the concept of tide throughout history: as a physical phenomenon governed by the gravitational relationship between the sun, the moon, and the earth, and as a poetic question posed to the cosmos. By translating the movement of water into data, code, and light, the work considers how technology mediates our perception of the natural world. The installation retrieves real-time tidal data from a monitoring station in Venice, where water level is measured by a floating sensor and uploaded online every five minutes. An AI system uses these measurements to adjust the pulsing rhythm of the neon word “rise”. Unlike human perception which experiences the continuous movement of water, the machine encounters the tide through discrete moments of measurement. During the five-minute gaps between updates, the system must rely on mathematical prediction to construct a speculative model of the water’s movement, until the next measurement arrives. By foregrounding these temporal gaps in data acquisition, the work examines how machine perception is shaped by incomplete and discontinuous encounters with reality. It also reflects on our broader reliance on scientific instruments and data to observe, understand, and predict natural phenomena. The glowing plasma inside the neon echoes the celestial forces that give rise to the tides, while its breathing pulse becomes an imagined tide of the machine. 该作品通过“观潮”这一人性行为，探索了机器感知的各种可能。作品文字以可执行代码的形式呈现，同时指向了人类从古到今理解潮汐的两种方式：科学界受太阳、月球与地球之间引力关系支配的物理现象，与诗文中向自然界提出的哲学问题。该作品通过将水流的运动转化为数据、代码与光影，探讨了技术如何作为中介，塑造我们对自然世界的感知。 威尼斯的潮位监测站通过浮动传感器测量水位，每隔五分钟将数据上传至网络。装置实时读取这些潮汐数据，并由人工智能系统根据水位变化，调节霓虹灯代码中“rise”一词的脉动节奏。水流本身持续不断地运动，但机器只能在每次数据更新时“观看”到潮汐的某个瞬间。等待数据更新的五分钟里，系统无法直接感知水位的变化，只能根据已有的数据推测这段时间里潮位的起伏，直到下一次测量数据到来。 通过凸显数据获取过程中的时间空隙，作者意在探讨机器如何在不完整、不连续的观测中建立对现实的感知，同时反思我们在观察、理解和预测自然现象时对科学仪器及数据的广泛依赖。霓虹灯管内发光的等离子体呼应了引发潮汐的天体物质，而其呼吸般的脉动则体现了机器所构想的潮汐。 <img width="4864" height="3648" width_o="4864" height_o="3648" data-src="https://freight.cargo.site/t/original/i/bdacf9ae43ae680e6a4d67a49e977d3496686a28d11026763bbb15c0228ca262/DSC06646.JPG" data-mid="244180375" border="0" src="https://freight.cargo.site/w/1000/i/bdacf9ae43ae680e6a4d67a49e977d3496686a28d11026763bbb15c0228ca262/DSC06646.JPG" /><img width="4864" height="3648" width_o="4864" height_o="3648" data-src="https://freight.cargo.site/t/original/i/a36e7002080ac77b7b9efa7250d488ab4463043fd1934cc8880e22d8fbb9ac1a/DSC06618.JPG" data-mid="244180380" border="0" src="https://freight.cargo.site/w/1000/i/a36e7002080ac77b7b9efa7250d488ab4463043fd1934cc8880e22d8fbb9ac1a/DSC06618.JPG" /> Czok Foundation Gallery, Venice, 2026 <img width="4864" height="3648" width_o="4864" height_o="3648" data-src="https://freight.cargo.site/t/original/i/775e543c5f9a654658e9fce29481f9638dbdd178848af7b35c3d27a448ef7460/DSC06557.JPG" data-mid="244180381" border="0" src="https://freight.cargo.site/w/1000/i/775e543c5f9a654658e9fce29481f9638dbdd178848af7b35c3d27a448ef7460/DSC06557.JPG" /><img width="4864" height="3648" width_o="4864" height_o="3648" data-src="https://freight.cargo.site/t/original/i/f528f2d5d7623c878b1bb9fd21b9c4b3d43a5374d99f84936a50d03d07241173/DSC06619.JPG" data-mid="244180373" border="0" src="https://freight.cargo.site/w/1000/i/f528f2d5d7623c878b1bb9fd21b9c4b3d43a5374d99f84936a50d03d07241173/DSC06619.JPG" /><img width="4864" height="3648" width_o="4864" height_o="3648" data-src="https://freight.cargo.site/t/original/i/b8e1996f5c020b16394fcf7b237908af7de134876572796e84039617c8e61563/DSC06659.JPG" data-mid="244180376" border="0" src="https://freight.cargo.site/w/1000/i/b8e1996f5c020b16394fcf7b237908af7de134876572796e84039617c8e61563/DSC06659.JPG" /> https://snow8485.cargo.site/Dream-1 Fri, 02 Oct 2026 03:50:56 +0000 Snowing Portfolio https://snow8485.cargo.site/Dream-1 夢(Dream)Year: 2026Material: Light, Language, Animation Neon has long been part of the urban cityscape, transforming language into light and turning commercial signs into visual symbols of modernity, desire, and fantasy. This work is a neon installation of the traditional Chinese character “夢” (dream), flickering at an irregular frequency. Suspended between language, imagery, and light, the character represents a dream rendered in the material language of contemporary technology. The piece brings traditional text into a contemporary technological medium, opening questions around cultural memory, translation, desire, and the ways dreams are imagined, remembered, and transformed across contexts. Its flickering, dysfunction, and moments of breakdown suggest a dream that is unstable and incomplete, one that is continually being formed, interrupted, and reconstructed through acts of translation and projection. <img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/4d78b51fa3714892684f1a3e5034207eb97e2dcc406bba0bc8ac2e8eca5cd1a3/final0512.jpg" data-mid="252810527" border="0" src="https://freight.cargo.site/w/1000/i/4d78b51fa3714892684f1a3e5034207eb97e2dcc406bba0bc8ac2e8eca5cd1a3/final0512.jpg" /><img width="4608" height="3456" width_o="4608" height_o="3456" data-src="https://freight.cargo.site/t/original/i/fe7b381bdd3c44d6002b4b5142bfcd6f64b7706fc2771a83113548b898ce9da7/102_0513.jpg" data-mid="252810551" border="0" src="https://freight.cargo.site/w/1000/i/fe7b381bdd3c44d6002b4b5142bfcd6f64b7706fc2771a83113548b898ce9da7/102_0513.jpg" /> https://snow8485.cargo.site/What-is-the-world-trying-to-say Fri, 30 Jan 2026 07:05:37 +0000 Snowing Portfolio https://snow8485.cargo.site/What-is-the-world-trying-to-say 《☯️(What is the world trying to say?)》 2025-2026（ongoing project）Dimension: 50*50Material: glass, acrylic, aron gas, electricity, light, algorithmic system, real-time weather and Earth data This mixed-media installation presents the Early Heaven Bagua (先天八卦) of Taoism, an ancient binary system that conceives balance through the interplay of yin and yang. Real-time data from the planet’s natural systems regulate the flickering rhythms of each trigram, mirroring the shifting harmony of the world. The artist attempts to interplay ancient and modern binary logics to communicate with the non-negotiable. What, at this moment, is the world trying to say? Hook Space, Chicago, 2025 <img width="7008" height="3944" width_o="7008" height_o="3944" data-src="https://freight.cargo.site/t/original/i/64618c55986f705062eab7207fbef52041cc80a7249d2f089471e22ff9a4d70c/DSC01014.JPG" data-mid="244180484" border="0" src="https://freight.cargo.site/w/1000/i/64618c55986f705062eab7207fbef52041cc80a7249d2f089471e22ff9a4d70c/DSC01014.JPG" /> https://snow8485.cargo.site/if-vacancy-open Fri, 30 Jan 2026 07:05:34 +0000 Snowing Portfolio https://snow8485.cargo.site/if-vacancy-open 《if(vacancy){open;}》Installation if(vacancy){open;} is a site-responsive neon intervention installed in the window of an artist studio within an academic building at the School of the Art Institute of Chicago. Borrowing the syntax of computer programming, the neon text reads if(vacancy){open;}, a statement that grants access under the condition of spatial availability.The intervention emerged in response to the institution’s decision to shut down overnight studio access due to budget constraints, reducing resources once promised to its students. Displayed after the building’s official closing hours and publicly visible to the main street of downtown Chicago, the intervention transformed a studio window into a public screen with message. As immigration enforcement generates widespread uncertainty and fear across the United States, the work reflects broader conditions of restricted mobility, precarity, and exclusion. <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/84e83ec1d2dd928a25341d3255883dc523ef692c8fc3a0f5674e71442591a0ea/Snow_Chen_ifvacancyopen-_Mixed_7020_2025.jpg" data-mid="250834672" border="0" src="https://freight.cargo.site/w/1000/i/84e83ec1d2dd928a25341d3255883dc523ef692c8fc3a0f5674e71442591a0ea/Snow_Chen_ifvacancyopen-_Mixed_7020_2025.jpg" /> <img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/1be6820daa3072954ce98fd39ee7e51f2f9129e5840b96bf1083f293260e011e/DSC00232.jpg" data-mid="249718297" border="0" src="https://freight.cargo.site/w/1000/i/1be6820daa3072954ce98fd39ee7e51f2f9129e5840b96bf1083f293260e011e/DSC00232.jpg" /> Lakeview Building(Historic Preservation Department), across from the Art Institute of Chicago, 2025 <img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/d777ea5dc3295f4141ec80f88605468e689c6ae64aa8faab1063cfabf2a73139/DSC00187.jpg" data-mid="249718299" border="0" src="https://freight.cargo.site/w/1000/i/d777ea5dc3295f4141ec80f88605468e689c6ae64aa8faab1063cfabf2a73139/DSC00187.jpg" /><img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/d8c5ea28c63e5cd66e3e2cbed80c049d43b808c998d3f8300df661ecaea97f6b/DSC00178.jpg" data-mid="249718298" border="0" src="https://freight.cargo.site/w/1000/i/d8c5ea28c63e5cd66e3e2cbed80c049d43b808c998d3f8300df661ecaea97f6b/DSC00178.jpg" /><img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/04fc598b8a5d795f7edb7cfb57b60f7096229945810f068c5388bb91a10bc8b3/DSC00609_2.jpg" data-mid="249718302" border="0" src="https://freight.cargo.site/w/1000/i/04fc598b8a5d795f7edb7cfb57b60f7096229945810f068c5388bb91a10bc8b3/DSC00609_2.jpg" /> https://snow8485.cargo.site/Cloud-as-Ouroboros-2025 Fri, 30 Jan 2026 07:05:41 +0000 Snowing Portfolio https://snow8485.cargo.site/Cloud-as-Ouroboros-2025 Nov.1, 2025 to Mar.31, 2026 Dual-curated virtual exhibition as a pavilion of the 7th edition of the Wrong Biennale, the world's largest and longest-running online biennale. Interactive web gallery attached below(https://infinitescroll.cloud). ⬇️Click and Scroll in the Virtual Gallery⬇️ https://snow8485.cargo.site/Pieces-of-Earth Fri, 30 Jan 2026 07:05:28 +0000 Snowing Portfolio https://snow8485.cargo.site/Pieces-of-Earth 《🌍(Pieces of Earth)》December 2025Durational Performance of 2.5 hours Reacting to Yoko Ono’s Earth Piece, “Listen to the sound of the earth turning,” this durational performance explores the experience of living in a technology-driven and chaotic present. By deconstructing the Earth as both an object and a concept, the performer manually rotates parts of a globe while listening through a wired headphone seemingly connected to its base. The imaginary mechanical sounds evoke the sensation of constantly adjusting channels while trying to process the flow of information and events happening around the world. <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/4d0590ca90c6784f6cb01a5d778a79a27e690dcf46e82bf95bc79cf58f116ca1/DSC06294.JPG" data-mid="244180319" border="0" src="https://freight.cargo.site/w/1000/i/4d0590ca90c6784f6cb01a5d778a79a27e690dcf46e82bf95bc79cf58f116ca1/DSC06294.JPG" />Museum of Contemporary Art Chicago, 2025 <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/3c824a891f88d9c56b5d63145702701f7dc33181a74223c0e5f8c92fb63ffabb/DSC06258.JPG" data-mid="251093281" border="0" src="https://freight.cargo.site/w/1000/i/3c824a891f88d9c56b5d63145702701f7dc33181a74223c0e5f8c92fb63ffabb/DSC06258.JPG" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/af2a0ebaac83c3e94a9c4f60a0544fdfa522cbd5f12beba21dc105253809b744/DSC06214.JPG" data-mid="244180324" border="0" src="https://freight.cargo.site/w/1000/i/af2a0ebaac83c3e94a9c4f60a0544fdfa522cbd5f12beba21dc105253809b744/DSC06214.JPG" /><img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/5d9afac99ba6aac47cf2fbdc3994b8c6025ac382d8950b46c2d97d6cb52da115/DSC06143.JPG" data-mid="244180322" border="0" src="https://freight.cargo.site/w/1000/i/5d9afac99ba6aac47cf2fbdc3994b8c6025ac382d8950b46c2d97d6cb52da115/DSC06143.JPG" /><img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/a2811b9539deeb9edb746cc386f0dd0d7f83121a47426e6b796d54bfa5b277e8/DSC06131.JPG" data-mid="244180320" border="0" src="https://freight.cargo.site/w/1000/i/a2811b9539deeb9edb746cc386f0dd0d7f83121a47426e6b796d54bfa5b277e8/DSC06131.JPG" /><img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/735c0774955fca67fc2058e622d53f6dd823b60ccdccb5fec007672739b71bce/DSC06248.JPG" data-mid="244180333" border="0" src="https://freight.cargo.site/w/1000/i/735c0774955fca67fc2058e622d53f6dd823b60ccdccb5fec007672739b71bce/DSC06248.JPG" /> https://snow8485.cargo.site/The-Sheep-of-Rrmea Fri, 30 Jan 2026 07:05:42 +0000 Snowing Portfolio https://snow8485.cargo.site/The-Sheep-of-Rrmea &lt;&lt; The Sheep of Rrmea(尔玛之羊)&gt;&gt;Year: 2024Material: Light, Language, Animation, Sheep skin drum Rrmea (尔玛) is a writing system created by younger generations of the Qiang people, an ethnic minority in China, to record a culture that remained entirely oral for thousands of years. The Sheep of Rrmea is a multimedia installation inspired by Qiang ritual traditions and historical cosmology. Combining light, language, animation, and a sheep skin drum, the work traces the continual transformation of cultural memory across materials, generations, and technologies. At the center of the installation is an original poem imagining a sheep consuming sacred texts before its skin is transformed into a ritual drum. The spoken poem is translated into waves of light, visualizing sound as a living archive that moves between voice, body, and image. Each transformation gives the story a new form while carrying traces of those that came before. The work reflects on how cultural memory continues to take shape through acts of transmission, transformation, and reinterpretation. Oral traditions evolve into written language, ritual gestures resonate through digital media, and ancestral knowledge continues to unfold through contemporary artistic practice. The work follows the continual transformation of oral knowledge into language, sound into light, ritual into moving image, and ancestral memory into contemporary artistic practice. Through these evolving forms, culture continues to live, grow, and take on new meanings.“Rrmea”（尔玛）是中国少数民族——羌族年轻一代创造的一种书写系统，旨在记录一种延续数千年的纯口述文化。《尔玛之羊》（The Sheep of Rrmea）是一件受羌族仪式传统与历史宇宙观启发的装置艺术作品。该作品融合了光影、语言、动画及羊皮鼓等元素，追溯了文化记忆在不同物质载体、世代更迭与技术演变中的持续转化。装置的核心是一首原创诗作，描绘了一只羊在被制成仪式用鼓之前吞食神圣经文的想象场景。诗歌的朗诵声被转化为光波，将声音具象化为一种在人声、身体与影像之间流动的鲜活档案。每一次转化都赋予了故事新的形态，同时也承载着过往形态的印记。该作品探讨了文化记忆如何通过传承、转化与重新解读的过程不断成形：口述传统演变为书面语言，仪式动作在数字媒体中产生共鸣，祖先的智慧则在当代艺术实践中持续延展。作品呈现了从口述知识到语言、从声音到光影、从仪式到动态影像、再从祖先记忆到当代艺术实践的持续转化过程。正是通过这些不断演变的形态，文化得以延续生命、生长并焕发出新的意义。 Light visualizing the drumming sound waves of a poem in Rrmea:“Before you lies a sheep,Feasting on our sacred scriptures.It swallows each and every text,as the words weave across its skin.When that skin is stretched into a drum,Played by the hands of our Shibi(wizard),Our culture’s stories,Will be told in the echoes, on and on." 这是一头羊， 它正在咀嚼。 每当它吃掉文字， 文字就在它的皮肤上流淌。 待它的皮肤变成鼓面， 被释比所敲响， 羌族的记录， 就会在鼓声中歌唱。 <img width="3456" height="1938" width_o="3456" height_o="1938" data-src="https://freight.cargo.site/t/original/i/4780575133d76ff60cd12a2769137927f47ddddb2f8c9a6ca489c25df7dd7db4/Screenshot-2025-10-28-at-1.04.05AM.png" data-mid="244180577" border="0" src="https://freight.cargo.site/w/1000/i/4780575133d76ff60cd12a2769137927f47ddddb2f8c9a6ca489c25df7dd7db4/Screenshot-2025-10-28-at-1.04.05AM.png" /><img width="3456" height="1938" width_o="3456" height_o="1938" data-src="https://freight.cargo.site/t/original/i/3eb7ba51ff1e4965288ad04910a4f49ee5ac8728a009d54a6ae1f5b26ac5b31f/Screenshot-2025-10-28-at-1.04.10AM.png" data-mid="244180576" border="0" src="https://freight.cargo.site/w/1000/i/3eb7ba51ff1e4965288ad04910a4f49ee5ac8728a009d54a6ae1f5b26ac5b31f/Screenshot-2025-10-28-at-1.04.10AM.png" /><img width="3456" height="1938" width_o="3456" height_o="1938" data-src="https://freight.cargo.site/t/original/i/8a8edec145659435e1c84d1b0739471b4f3a452a5be8ea5977a53de20441d3af/Screenshot-2025-10-28-at-1.03.58AM.png" data-mid="244180578" border="0" src="https://freight.cargo.site/w/1000/i/8a8edec145659435e1c84d1b0739471b4f3a452a5be8ea5977a53de20441d3af/Screenshot-2025-10-28-at-1.03.58AM.png" /> https://snow8485.cargo.site/The-Electronic-Relic Fri, 30 Jan 2026 07:05:40 +0000 Snowing Portfolio https://snow8485.cargo.site/The-Electronic-Relic &nbsp;《The Electronic Relic》2025Dimension: Variable (depending on venue) Medium: Single-channel Sound, Moving Images Set in a speculative future where only electronic life forms remain, the piece takes the form of a scientific archive session conducted by an AI institution known as the Museum of Humanic Technology. Through a documentary-style narration combining pseudo-archaeology and ritualized technoscience, the video simulates the future discovery of a tubular artifact once used by the Carbon civilization and the interpretation of the process of molecular bombardment as an ancient ceremony of purification and transcendence.&nbsp;Bombardment is interpreted as a ritual through which &nbsp;bodies becomes luminous through continuous transformation of matter, energy, and memory.. <img width="3456" height="1938" width_o="3456" height_o="1938" data-src="https://freight.cargo.site/t/original/i/cde5aa7d5e5f0c729e577489271ea3538c201374dd99c73e9b02b6262da2439c/image.png" data-mid="244180535" border="0" src="https://freight.cargo.site/w/1000/i/cde5aa7d5e5f0c729e577489271ea3538c201374dd99c73e9b02b6262da2439c/image.png" /><img width="3456" height="1938" width_o="3456" height_o="1938" data-src="https://freight.cargo.site/t/original/i/5631aaaad21297c8ca65ca0918857ea5b01bc424d0308e507767fdc9b4b22123/Screenshot-2025-11-12-at-9.07.39PM.png" data-mid="244180536" border="0" src="https://freight.cargo.site/w/1000/i/5631aaaad21297c8ca65ca0918857ea5b01bc424d0308e507767fdc9b4b22123/Screenshot-2025-11-12-at-9.07.39PM.png" />&nbsp;Screened at Voltaje Art and Technology Salon, Bogotá, Colombia, 2025 https://snow8485.cargo.site/Vision-2024 Fri, 30 Jan 2026 07:05:39 +0000 Snowing Portfolio https://snow8485.cargo.site/Vision-2024 Vision(2024) Art on the Mart Nov.22-Dec.30 2024 Merchandise the Mart, Chicago The Chicago River Walk attracts countless tourists and social media enthusiasts on a daily basis. The artist seeks to communicate social media’s pervasive influence on the public through an eye on the building. This piece of work, projected on a 2.5 acres canvas, highlights how social media platforms actively monitor and manipulate user engagement. This dynamic evokes a sense of monitor and control, aiming to inspire viewers on considering their interactions with social media and the underlying mechanisms that drive their behavior in the world with digital connections.&nbsp; <img width="3000" height="1965" width_o="3000" height_o="1965" data-src="https://freight.cargo.site/t/original/i/8da27b67ae1cab62643b7ef32f6bc51e965f934b40147a89bf3c13ab6a1f7e5b/20241107_AOTM_TEST-48.jpg" data-mid="244180519" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/8da27b67ae1cab62643b7ef32f6bc51e965f934b40147a89bf3c13ab6a1f7e5b/20241107_AOTM_TEST-48.jpg" />&nbsp; <img width="3000" height="1965" width_o="3000" height_o="1965" data-src="https://freight.cargo.site/t/original/i/5cec63fb71c9f1e84ccf268d5b3d6bb0a3a26204d4de93cdd11b0913c2343646/20241107_AOTM_TEST-49.jpg" data-mid="244180517" border="0" src="https://freight.cargo.site/w/1000/i/5cec63fb71c9f1e84ccf268d5b3d6bb0a3a26204d4de93cdd11b0913c2343646/20241107_AOTM_TEST-49.jpg" />&nbsp; https://snow8485.cargo.site/38159117 Fri, 30 Jan 2026 07:05:36 +0000 Snowing Portfolio https://snow8485.cargo.site/38159117 Title: 《🔥(火)》 Year: 2025 Dimension: 25*25 Materials: glass, neon gas, metal, electricity, light This mixed-media sculpture incorporates a sigil of fire based on oracle bone script (甲骨文), the earliest form of Chinese writing, an ancient hieroglyphic system used to record divinations and ritual practices. Drawing inspiration from western cyber witchcraft which uses emojis, the modern pictographic symbols as a material to cast spells, and Fulu (符箓), the rectangular Taoist charms used to interact with supernatural forces, the piece investigates how contemporary digital culture reanimates esoteric traditions through technology and spirituality. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9b4c581e54365ab7829182c3720c0a98c4e939034d4d3f6710b6a39988f368a1/2.png" data-mid="244180475" border="0" src="https://freight.cargo.site/w/1000/i/9b4c581e54365ab7829182c3720c0a98c4e939034d4d3f6710b6a39988f368a1/2.png" />Hook Space, 2025⬇️ Click to light up ⬇️ <img width="2064" height="1397" width_o="2064" height_o="1397" data-src="https://freight.cargo.site/t/original/i/90281f4f046d9d0c07bce698943f79a82a804aeef092d060230918f39c75b7c8/-2025-04-21-051125.png" data-mid="244180477" border="0" src="https://freight.cargo.site/w/1000/i/90281f4f046d9d0c07bce698943f79a82a804aeef092d060230918f39c75b7c8/-2025-04-21-051125.png" /> Norris Dittmar Memorial Gallery, 2025